Alright, well the more I think about it, the more I realize that the female marionettes that come on to Pinocchio are both sexist and racist. However, this is how females, especially non-American females were commonly depicted in Hollywood film in the 1930s, 1940s, and beyond.
There are three ethnicities of woman portrayed in this segment, each has a feature woman. The first is a group of Dutch girls. Naturally the main girl is looking for love. However, let's not forget that Pinocchio is the only live puppet, all others are being controlled by puppeteers, though I have no idea who those puppeteers are, It cannot be Stromboli, because he is down front conducting the whole time, so I guess that it is just part of movie magic. In other words, the puppets are not acting this way on their own accord, all of this is being done in jest to be humorous.
Pinocchio - 1940 |
Pinocchio - 1940 |
I think that it is worthwhile to point out that there is a strong sense of ethnic 'othering' throughout this marionette show scene. Collodi's Pinocchio story takes place in Italy and Pinocchio can be found in the Italy Pavilion, however, the film has strong German undertones with Pinocchio's clothing and all of Gepetto's clocks. This German idea is enforced by Pinocchio's Village Haus in Fantasyland in Disney World. So whether it is German or Italian in Disney's mind, it is important to know that the female puppets are from other nations. Therefore it suggests that the women of other countries and cultures are seductresses and temptresses, but not the wholesome women of our own culture.
Pinocchio - 1940 |
The Dutch puppets are by far the cutest. I love their floppy dresses and motions. I literally went out and bought a puppet costume for Halloween because of this scene and wore my uggs with it lol
ReplyDeleteI agree lol! How did the costume turn out?
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